ballade de bruits [alm 73]

by final cut

supported by
/
  • Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

     €3.50 EUR  or more

     

  • Compact Disc (CD)

    presented in a mini (8cm) jewelcase.
    artwork is directly printed on the disc and an informative sticker is affixed on the back.

    PLEASE PAY ATTENTION:
    if you order more than one disc, shipping rates will most of the time be wrong and you'll pay more than the real costs because of bandcamp too rigid rules for combined shipping. don't worry, you'll get a partial refund through paypal as soon as possible (usually less than 24 hours).

    real shipping rates are as following (prices are in euros):

    Belgium // Germany, France, UK, Germany, Netherlands, Luxembourg // other European countries // USA, Maghreb, Turkey, Syria, Israel // rest of the world

    1 or 2 discs => 1.90 // 3.80 // 3.80 // 4.50 // 4.50

    3 to 6 discs => 2.80 // 6.90 // 6.90 // 8.50 // 8.50

    7 to 11 discs => 7.20 // 9.40 // 9.40 // 9.40 // 13.80

    12 to 28 discs => 7.20 // 13.80 // 13.80 // 13.80 // 22.50

    more than 29 discs => 7.20 // 18.30 // 27.00 // 27.00 // 44.50

    Includes unlimited streaming of ballade de bruits [alm 73] via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 2 days

     €5.50 EUR or more

     

1.
2.

about

frenchman based in belgium, final cut has used as base for these tracks environmental sounds he has done during his several wanderings. once at home, they've been heavily processed to form hypnotizing soundscapes.
final cut is also the co-curator of the 3patttes label and earsheltering netlabel. he now publishes under his own name (flavien gillié). check out his recent cd on unfathomless.

vital weekly 776 review:
Behind Final Cut is a frenchman (no name) who lives in Belgium, where he runs the 3pattes label, as well as the earsheltering netlabel. Two pieces here, which we may see as noise ballads, I guess, looking at the title. Of the three recent Taalem releases, this is the one that is most noise based. Not entirely loud or something like that, but nevertheless a bit less subtle in the processing of field recordings. Final Cut transforms them into drone like music, which sound a bit like stringed instruments, ringing around in overtones. Quite gritty and angular, but quite nice also. Very upright and present. (FdW)

credits

released October 7, 2016

photography : delphine ancelle-b.
recorded, composed and mixed in anonymous places of belgium during january 2010. sound is all.
thanks to everyone at taâlem.

tags

license

all rights reserved

feeds

feeds for this album, this artist

about

taâlem Belgium

contact / help

Contact taâlem

Streaming and
Download help

Shipping and returns